First Flush Darjeeling soliflore.
a l c h e m y ☽•☾
Organic darjeeling perfume. This is a single note fragrance from a trio of darjeeling tea leaves I absoluted from their first spring harvest. The three legendary gardens featured in this special soliflore are Soom, Lingia, and Steinthal. The aroma is subtle but bright, sweet, fizzy and astringent. Muscatel, spring greens, and champagne. Wildflower overtones. Handmade with very raw beeswax. Solid perfume only. Color may vary.
Wild Veil's natural perfume fixatives act as primers for the skin. Applied prior to perfumes, they can extend the longevity of your fragrance. Suggested fixatives:
Amber fixative contains classically amber base notes from my handmade resinoids that I extracted from raw, wild resins using organic high proof alcohol. It is warm, powdery, and slightly boozy. Resinous with caramel undertones.
Animalic fixative features stunningly intense musk base notes. If you are looking to enhance the tenacity of your natural perfumes, and to fix volatile florals and top notes, this is a fixative worth investing in. Luxurious and powerful, its sleek fur coat undresses to warm amber powder underneath.
Dry fixative possesses dry base notes. It crackles with a warm, subtly smoky aroma, and smooth resins layered over a gently bracing botanical musk.
Earthy fixative contains earthy base notes. It is green and smoky, with the comforting aroma of wet musk from the depths of the earth.
Grass fixative, made with a mise en lieu tincture of Vermont wild grasses, clover, sun dried new mown hay, and spring greens, features soft, warm, green notes that conjure fresh cut grass and summer fields.
Hay fixative conjures the scents of sun-dried bales of hay, as well as warm, dry straw stored in a barn.
Hive fixative primes your skin with the sweet and musky base notes characteristic of a honeybee hive. It features my handmade in-house absolutes of raw honey, beeswax, comb honey, propolis, royal jelly, bee bread and pollen, and as such, changes seasonally depending on which extracts are fresh and mature. Some of the ingredients may come from colonies that collected nectar from Apalachicola Tupelo gum trees, North Carolina and Midwestern wildflowers, wild blackberries, sweet clover, thistle, black locust, poplar, prickly pear cactus, goldenrod, asters, buckwheat, orange blossoms, purple sage, and avocado trees.
Meadow fixative evokes yellow fields of prairie grass, wildflowers, drying husks still attached to the earth, and the sun in late August.
Monsoon fixative evokes the smell of wet earth, rain after a dry spell, geosmin, petrichor. It features my homemade absolutes of clays and soils I have tinctured for their unique aromas. These include: Multani Mitti clay from volcanic ash, Rhassoul clay from the Atlas Mountains in Morocco, and sod (topsoil from my Vermont gardens). The sod from my garden has a mysterious agarwood note that becomes prominent after the soil has been upturned and left in the sun, and which I like to think of as an earthworm musk.
Powdery fixative contains powdery base notes. With notes of tonka, sweet myrrh, balsam, and ambrette musk, it tends toward dry and warm and will complement fragrances across a wide variety of scent families.
Tea fixative blends warm, malted, fermented yellow-orange-amber teas with notes of honey, cocoa, dark woods, savory earth, caramel, and Brazil nuts. This fixative includes my tinctured absolutes of Assam Marangi, fermented Mannong Pu-erh, yellow dragon, Oolong Eastern Beauty, and roasted Oolong. This is a mellow fixative that will work well beneath just about any type of fragrance.
Tobacco fixative features my organic handmade absolutes of organic cured leaf: American Virginia Flue, Burley, and Canadian Virginia Flue. I also infused the raw beeswax and propolis (used in the base) with my aged tabacum tinctures to deepen the husky warm qualities of the composition. Sweet, amber, blackberry and mulberry notes with the anticipation of hand rolled smoke. Depending on the season and availability, it may include extractions of my homegrown nicotiana leaves and flowers.
Photos: my homemade darjeeling absolutes and resinoids; solid perfume in 5ml and 10ml black violet glass jars.
s i z i n g ☽•☾
I offer this solid perfume in sizes of 1ml (a sample of approximately 20-25 drops), 5ml and 10ml. 1ml (sample size) comes in a hinge top pod. 5ml comes in a clear glass jar. 10ml is available in a glass jar or a round tin.
Please make your selection from the menu.
r a w ☽•☾ m a t t e r
Wild Veil natural perfumes are composed by me, Abby, using homemade, wildcrafted and organic aromatics in Vermont. These include my handmade enfleurage, tinctures, enfleurage extraits, absolutes, resinoids and concretes, and floral waxes. I spend as much time growing plants and foraging as I do composing perfumes.
l i q u i d ☽•☾
Wild Veil oil perfumes are suspended in an odorless base of organic MCT coconut oil. As they do not contain water, liquid perfumes do not expire, and may improve with age. While the volatile top notes (the ones that hit your nose first) will fade after a year or more, the base and heart notes will deepen and grow more complex.
s o l i d ☽•☾ b e e s w a x
In solid perfumes this silky transparent base (above) mingles beautifully with the earthy, honey musk of organic beeswax. Raw beeswax traps the aroma molecules, releasing them over time for an intimate experience.
h o w ☽•☾ t o ☽•☾ w e a r
The best way to experience a natural perfume is to apply it to well-moisturized skin, without rubbing in (absorption only shortens the wear time of fragrance) and without scrubbing off. Natural perfumes are dynamic and take a minimum of 2 hours to reach their final stage, or dry down. Enjoy the alchemical changes as they unfold from the initial intensity of top notes, to the warmth of the heart, to the depth of lower base notes.
☽•☾ Wild Veil ☽•☾ alchemy between earth and ether ☽•☾
☽•☾ All aesthetic material copyright Abby Hinsman 2019 ☽•☾