natural perfume fixative • tea base notes (warm, fermented, malted)
a l c h e m y
A blend of warm, malted, fermented yellow-orange-amber teas with notes of honey, cocoa, dark woods, savory earth, caramel, and Brazil nuts. This fixative includes my tinctured absolutes of Assam Marangi, fermented Mannong Pu-erh, yellow dragon, Oolong Eastern Beauty, and roasted Oolong. This is a mellow fixative that will work well beneath just about any type of fragrance. Color may vary.
Photos: a homemade organic oolong absolute and a homemade organic pu-erh absolute, the Tea Fixative in a 60ml tin.
f i x a t i v e s
This compound serves as a primer for my natural perfumes and colognes, "fixing" and extending the composition. One of the issues with natural perfumes is their tendency to evaporate rapidly, especially the volatile heart and top notes. The aroma of these thinner notes can be made to last longer by slowing down the evaporation rate with the application of one of my creamy fixatives. Each one contains its own fragrance composed exclusively of base notes, in an organic emulsion of raw beeswax, cold pressed natural oils, and unrefined, raw butters. These base notes come from oils and resins that are physically thicker, and thus diffuse over the course of days rather than hours. In addition to lasting longer themselves, viscous base notes tend to trap middle and top notes, releasing them languorously rather than quickly. Finally, in the spirit of true alchemy, base notes may exalt the volatile notes, meaning they will bring out their best features, not only drawing out the perfume in time and space, but transforming and elevating the creation entirely.
d i r e c t i o n s
To use, rub a fixative balm into your skin prior to natural perfume application to seal in and strengthen the tenacity of the scent. Can be layered with scents, or worn alone. You may also find it works well as a moisturizer for dry skin.
r a w ☽•☾ m a t t e r
Wild Veil natural perfumes are composed by me, Abby, using homemade, wildcrafted and organic aromatics in Vermont. These include my handmade enfleurage, tinctures, enfleurage extraits, absolutes, resinoids and concretes, and floral waxes. I spend as much time growing plants and foraging as I do composing perfumes.
h o w ☽•☾ t o ☽•☾ w e a r
The best way to experience a natural perfume is to apply it to well-moisturized skin, without rubbing in (absorption only shortens the wear time of fragrance) and without scrubbing off. Natural perfumes are dynamic and take a minimum of 2 hours to reach their final stage, or dry down. Enjoy the alchemical changes as they unfold from the initial intensity of top notes, to the warmth of the heart, to the depth of lower base notes.
☽•☾ Wild Veil ☽•☾ alchemy between earth and ether ☽•☾
☽•☾ All aesthetic material copyright Abby Hinsman 2019 ☽•☾